Monthly Archives: February 2010

Women in Wine: Wines With Ancient Lineage & The Silk Road, A Talk By Mollie Battenhouse

Last week, Feb. 17 to be exact, Mollie Battenhouse, Wine Director at Maslow 6 in Tribeca, gave a fascinating talk on wines with an ancient lineage. She was joined by Peter Cousins of Cornell University and together they traced the path that some grape vines may have taken along the silk road. The talk was inspired by the current show at the American Museum of Natural History on the silk road. The silk road is one of the oldest trading routes in the world and created links between the East and the West, bringing goods back and forth. Apparently grape vines also migrated up the silk road.

I love the natural history museum and always have. Many early memories take place in there. I remember my delight at the dinosaurs and my mom finally finding her pocket book on a school trip despite leaving it there for hours (can you imagine that happening today?) or meeting friends under the big blue whale. I still haven’t had a sleepover there yet but my niece and I have been planning to do it for a few years. I always get a thrill when I walk into that stately castle on Central Park West.

Apparently grape vines have been growing in China for over 2000 years ago. In ancient times, there were three main wine growing periods which took place during the Han, Tang and Yuan dynasties. That ended in about 1368.

Much of the area along what was the silk road is today a harsh and dry desert. Many of the grapes grown in that region today are used as either table grapes or raisins. Today, Mollie noted, China is the 6th largest producer of wine in the world. While much of that wine is consumed locally, she said that she expected the picture to be significantly different in “5 to 10 years.” She also said that a lot of outside investment from Western countries is flowing into the region. “China has over 600 wineries today and 10 wine growing regions,” she noted, “there is even a vine nursery begun in 2000 with a French company.

Cousins showed a fabulous series of slides to point out the differences between grape clusters, much of which is related to size and health of the berries. On one side he would show pictures of shrivels small berries and on the other, beautiful clusters of healthy grapes. This, he noted, was the difference between wild grape vines and domesticated ones. Apparently, there are more than 1000 indigenous grapes in China.

We tried a number of different wines which could be seen as related to or exactly what was growing along the silk road in its heyday. One of the wines we had was a Rkatseteli from Konstantin Frank. As I mentioned in a blog post last week, Rkatseteli is originally a variety from Georgia, the area where people think grape growing first began more than 7000 years ago. Georgia was on the Western end of the silk road.

Cousins also spoke about a grape variety I had never heard of called Koshu which grows in Japan and has for over 1000 years. This is a vitis vinifera variety but vinifera isn’t native to Japan so the thinking is that it migrated along with traders. It is similar to Rkatseteli and has large clusters. Cousins also showed us the similarities between grape vines in different countries such as Turkey, Egypt, Pakistan and Japan.

The talk was much more complex than my explanation but suffice it to say it was a very interesting initiative by the Museum of Natural History as part of their Global Kitchen series. Both Mollie and Peter Cousins put together a fascinating trip along the silk road, leaving me hungry for more information, always a good sign.

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Chile Day 13 & 14- Trip To Easter Island

Last year I had the good fortune to spend almost three weeks in Chile traveling happily up and down the country. One of the last things I did on the trip was take a plane to Easter Island, some five hours off the coast. When you first get off the plane, you are greeted by people giving you flower garlands.

I went swimming that first afternoon and looked around the island a bit. The people were exceeding friendly and the island was filled with wild horses. I found a horse looking into my bedroom window the first night. It was quite odd indeed.

There are a number of things to see on Easter Island including the ruins of an ancient civilization, volcanos and Eucalyptus forests but most people go to see the Moai. Truly a remarkable experience, I spent a few days driving around in a jeep with a British friend Adam who happened to have a PhD in Archeology looking at these Moai statutes and ruins.

The stautes were just breathtaking with some reaching up to 30 feet in height while weighing more than 75 tons. The statutes were all built between the 12th and 15th centuries and served as altars and places for religious ceremonies and family gatherings. At the height of their glory some 900 of these statues graced the island.

They were truly breathtaking and as always with these types of monuments, I found myself wondering how in the world they were able to carve such enormous statues. Not all of the Moai were in good shape as this photo shows. Many were destroyed, some had disintegrated and others were merely toppled over and eroded by the wind and the sea breezes.

It’s actually hard to fathom how large these statutes are unless you are looking directly at them. These photo shows people walking around the site where the stones to make the Moai came from. This quarry still has some Moai statues built into the rock which were never finished and put on altars.

The next photo shows one of these statutes. It reminds me of Michelangelo’s sculptures of the slaves in the Accademia in Florence. Both sets of statues are trapped in stone and the figures seem to want to spring out. It’s amazing to think what was happening in Western art at the time these sculptures were being built.

All the Moai we saw were standing except for the one in the next photograph. Some faced the sea and some faced inward towards the land. Easter Island has always had a very small population so these sculptures which are the deification of ones ancestors were really built for families. They are quite formulaic with the head being 3/5 the size of the body.

Some sites had long rows of stautes. That’s me with the blue pants. I’m about 5’5 on a good day so that should give you an idea of the grandeur of these beautiful statutes.

Almost painful to think about as we await another snowstorm but yes, Easter Island also has beaches and sand. I went for a beautiful swim on this beach. People were surfing and the day was long and lazy with Moai overlooking the beach in the distant. Pretty snappy.

Hard as it may seem to believe, that is truly the color of the sky on Easter Island, a gorgeous midnight blue. The Moai on this beach have been reconstructed but originally all of the Moai had these top knots. They must be about five feet tall alone and about 40 tons.

Adam and I decided to celebrate that evening and went to an oddly expensive french restaurant on the isalnd called LaTaverne du Pecheur. It was great and we had a lovely bottle of Sauvignon Blanc.

I particularly like Sauvignon Blanc from Chile which is strange because I tend not to gravitate towards that variety. My guess is that anything would have appealed to me after that unbelievable day but if memory serves I actually liked it. I spent a bit more time on Easter Island but it is one of the places in my life that I would love to go back to at another point. I found it completely enthralling and I can see how someone ends up just staying for months or years at a time.

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Skiing in Valle d’Aosta Sipping Blanc de Morgex et de la Salle D.O.C.

I’m sitting at my desk in New York but I am armchair traveling to a time, not in the too distant past, when I used to ski in the Valle d’Aosta. I am lucky enough to have dear friends with homes in some wonderful ski towns such as Gressoney in the Valle d’Aosta. Gressoney is really two towns, Saint-Jean and La Trinite’.

I spent some lovely weekends there and that was when I discovered Blanc de Morgex et de la Salle D.O.C. made from the Prie’ Blanc grape grown in the Aosta Valley. The vineyards where these grapes grow are some of the highest in Europe, at approximately 1200 meters. The grape is quite particular and goes through its entire life cycle very quickly. Most of the vines are not grafted and live on their own rootstocks. The are trained to grow using a trellising system called “pergola bassa” or low canopy. The grape can also be found in the Valais region of Switzerland.

The wine is straw yellow in color, with a relatively low gradation of alcohol and has a delicate and fruity bouquet. This is a great wine to drink as an aperitivo or with a light first course. I have many fond memories of those days but alas no digital photos. While the Valle d’Aosta is a long way away, the wine can be found locally which makes me smile.

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Quick Updates About Wine Tasting In Coming Days In NYC

Just a quick note about some wine tasting that will take place in the New York area:

Lucio Caputo’s Gala Italia will be held on February 25 at the Marriott Marquis, as always. Last year I tasted some wines I really enjoyed including a few from Sicily that knocked my socks off.

On March 1, Alta Cucina will be holding a trade only tasting of a variety of wines offered by Wine Dreamers. I will most certainly be there, not least to say hello to my friends at Livon, a great winery from Friuli. I brought their delicious Braide Alte wine to the Diploma dinner this year.

On March 4, another friend has worked with the city of Dijon to organize a tasting of wines from Burgundy. The event is part of a larger event sponsored by the city of Dijon that will take place at Grand Central Station on March 3. I love Dijon and lived there for 8 months during my University days. Some day if you ply me with wine I will tell you about my 250 euro taxi drive to Dijon from Lyon…..

In the meantime, hope to see some of you out and about at these events.

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Tre Bicchieri Tasting In New York

Today was the Tre Bicchieri Tasting in New York. I didn’t go. For the past few years I have worked at the event for a producer friend whose wines always win a Tre Bicchieri classification. This year, things were a bit different and I had too much to do to be able to go and taste. Gran peccato. I look forward to reading other people’s posts about the event.

The Tre Bicchieri tasting is always a madhouse as people rush to taste which wines have won those coveted awards. Gambero Rosso, the organization which gives out the awards, has been much criticized of late as have other wine guides and wine critics. Gambero Rosso and Slow Food are officially divorced and this was the first edition of the show without their collaboration.

I am sure there are merits to all sides of the debate about guides in general and about Gambero Rosso in particular but I try to take it all with a grain of salt and to never discount a source just because they are famous or have made a lot of money from their ratings.

Like many other people, I like to discover wines on my own or through the suggestion of a friend whose palate I trust. Sometimes that isn’t possible though and I have discovered many a great wine thanks to the Tre Bicchieri event in years past.

The Tre Bicchieri list of wines for this year was impressive as always, with some new regions getting more play than in the past such as Emilia Romagna, Le Marche, Liguria, and the Valle d’Aosta. I’m sure I will have the occasion to taste some of these wines at Vinitaly in April.

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Women in Wine: The Rosina Sisters At La Mesma Make Gavi DOCG, A White Wine From Piedmont

Gavi always seemed to me to be an old fashioned wine, one that little old ladies drank. Somehow, it seemed declasse’. Boy was I wrong. Actually two Gavi wines were among my favorite wines tasted during the long marathon otherwise known as Vino 2010 held in New York from February 3 to February 5. They were made by a winery called La Mesma, located in Monterotondo (Alessandria). This area is on the border between Piedmont and Liguria, two beautiful regions of Northwestern Italy.

La Mesma has 26 hectares planted with the Cortese grape which is the grape in Gavi. La Mesma is run by three sisters from the Rosina family: Paola, Francesca and Anna. The sisters don’t have organic certification, most Italian wineries don’t either. They do not however use fertilizers or pesticides. Instead they have a planting system which uses legumes buried during flowering between the vines. This system helps to improve the vegetative cycle of the vine without harming the environment. The sisters are also using their pruned canes for biomass fuel, a pilot project they are working on with Enviro, a company of the SAIF SpA group.

In terms of vinification, the sisters use stainless tanks and are considering building concrete ones as part of a project to expand their winery. Cortese is a delicate grapes with citrus and white flower aromas, perfect as an aperitivo or when made into a sparkling wine. I tasted their sparkling wine and thought it was exquisite at Luca Maroni’s SensofWine event held on February 4. The wine is made in the traditional method with secondary refermentation taking place in the bottle. The wine rests on its lees for at least 18 months in the bottle.

I also tasted their Gavi D.O.C.G., a still wine which was delicious with fruit aromas of apricots and floral notes. Light and refreshing, both of these wines made me long to know more about Gavi and to make up for lost time.

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Carnevale – How I Ended Up Moving To Italy

People always ask me how and why I chose to live in Italy for 15 years. The answer is of course complicated but one simple truth is that I went to Florence on the last day of Carnevale, Fat Tuesday, over 20 years ago today and fell madly in love. I was studying French in Dijon, a sober but beautiful city in North Eastern France and took the train with my mom to Florence for the first time. That was it. Between waking up in the middle of the night to see the Borromean Islands rising out of Lago Maggiore in the early morning hours to seeing children dressed in bright costumes throwing confetti and the stripped Romanesque churches of Florence, I was totally stregata (bewitched). It’s been a long love affair and one that I suspect will never lose its luster. Each year on Carnevale, I think of that day and smile at how strange life is and how much I would love to eat a piece of Schiacciata alla Fiorentina and drink a glass of Vin Santo. Vin Santo, as I wrote in my piece on Susanna Crociani is made from dried grapes, which are aged in Caratelli – small barrels and are aged in a Vinsantaia, generally Trebbiano and Malvasia.

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Olympics, Georgia, Leonard Cohen and Valentine’s Day

I love the Olympics. I always have. I think it’s the spirit of community or the idea of the world as a village that appeals to me so much. Of course, the athletic prowess of the competitors is beautiful and exciting to watch but that’s not what made me teary as I watched the opening ceremonies. I also love the medal ceremonies with everyone getting weepy as they sing their national anthem. Of course, I’m a softy but on Valentine’s Day, it’s okay to admit that. KD Lang’s version of Leonard Cohen’s song Hallelujah was perfect and made me think of someone who is far away today but close to my heart. Mostly though, Friday was sad because of the Georgian Luger Norad Kumaritashvili’s death during a training run.

I thought I’d write about a winery from Georgia today on my blog. I came across this winery at Vinitaly last year in the building dedicated to foreign (non-Italian) wineries. Vinitaly is often accused of being less international than other fairs such as Pro Wein and Vinexpo, in Germany and France, respectively but they are working to address that. I love the building with the foreign wineries. It is never as crowded as the rest of the fair and I have always tried things that were a novelty to me. Georgia has been famous for its wines for centuries. It is widely accepted that wine making began in the Caucaus over 7000 years ago. Winemakers from all over the world make pilgrimages there to see the amphorae and the location where so much began. Josko Gravner is perhaps the most well known of these winemakers. He buries some of his wines in Amphora. Others have followed suit. Many people I know love these wines but I was not that familiar with them.

The Badagoni wine company was founded in 2002 in the village of Zemo Khodasheni in the Kakheti wine growing region. Badagoni concentrates on local grape varieties, most of which are not well know abroad. Badagoni is a large company, producing over one million bottles a year, and making it one of the largest in the Caucasus. The winery owns 300 hectares of vineyards in the areas of Tsinandati, Mukuzani, Akhaseni, Kindzmarauli and Manavi. Each area has a particular micro-climate, soil and terrain. Donato Lanati of Italy is their consulting wine maker.

Some of the wines that I tried included the Kakhetian Noble made from the Saperavi grape. The vineyard is located across the street from the Alaverdi Cathedral. The grape produces a deep ruby wine with black fruit notes. I also tasted a white from the same line but made with the Rkatsiteli grape. I have tried only one other example of this grape made by Konstantin Frank in the Finger Lakes in New York State. The Badagoni wine was great as is Konstantin Frank’s version. Another indigenous white variety used by Badagoni is the Mtsvane grape which is used to produce Manavi, a white wine in production since 1938. Light and fruity, the wine is made from grapes grown on the Gombori slopes of the Manavi micro-zone.

A wine cellar under the Alaverdi Cathedral was discovered some years ago. It contained 40 large clay vessels which were dug into the soil. Wine fermented in these vessels centuries ago. Badagoni is helping the government to restore the cellar.

The monks at the monastery have begun producing wine again. They are using these modern or redone urns, much like the ones of the past. It’s quite a spectacle to see photos of the monks stirring the wines.

I would be excited to visit Georgia and try these wines in situ but for the moment, I think I will have to just hope that they’ll be back at Vinitaly this April. Hopefully, I will also find some Georgian wines closer to home. I know very few people who have traveled to Georgia but one friend told me that the only thing to rival the Georgian wines is their food. Sounds like a destination to be explored to me.

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Women in Wine: A Chat With Stellekaya’s Ntsiki Biyela

I met Ntsiki Biyela, a 30 something South African winemaker who was born and raised in Kwa-Zulu Natal, about a month ago during her visit to promote Stellekaya’s wines in the United States. Ntsiki is one of only two or three black female winemakers in South Africa but that isn’t the only reason that she’s so remarkably interesting. It’s because she’s a young, dynamic, great winemaker. She’s also a very talented communicator and actually convinced me to take a second look at Pinotage, a grape that I have never been partial to, to be quite frank. I spent many hours chatting with Ntsiki over the course of an afternoon and during a dinner that was organized at Braai, a South African restaurant owned by the same people that run Xai Xai, the well known South African wine bar.

Ntsiki joined Stellekaya in 2004 and was at first assisted by Peet Le Roux. She’s been making the wines on her own since 2005 and works at times with consultant Michael Carmichael Green. Her 2004 Cape Cross won a Gold medal at the Michelangelo Awards. It was the first gold medal won by a black winemaker in South Africa and it was her first vintage.

Stellakaya is owned by Dave Lello and his wife Jane. Stellekaya, located in Stellenbosch, came out with its first vintage in 1999. Stellekaya means home of the stars, a combination of the Italian word for stars, Stella and Kaya, an African word for skies. That’s how Dave sees his winery, an African winery that makes wines in the European tradition. Stellekaya currently makes about 10,000 cases a year from these noble grape varieties: Cabernet Sauvignon, Merlot, Cabernet Franc, Shiraz, Pinotage and Sangiovese.

Ntsiki makes two lines, the Fusion Collection and the Eclipse Collection. I tried a number of the wines and was quite partial to the Fusion Collection, a series of blends made from the same base, Cabernet Sauvignon and Merlot with a touch of a different grape added to differentiate each of the three wines.

The Cape Cross which is Ntsiki’s favorite is a blend of Cabernet Sauvignon and Merlot with a small percentage of Pinotage. She made me a convert as well. She called Pinotage a spoiled child that wants to grab all the attention. That is if you let it. The trick, she noted, was to keep it under control and not allow it to dominate the blends. Ntsiki looks for balance and integrity in all of her wines and it seemed to me she was right on target with the Cape Cross and other wines.

Both Dave and Ntsiki spoke about how Pinotage is misunderstood in the United States because we have only gotten poor examples that have green bell pepper notes. Pinotage, they said, needs to be trained on a trellis and not grown on a bush vine the way many producers grow it. Stellekaya also allows its’ grapes time to cool after harvest and then lets them go through a cold maceration for 3 to 4 days. The grapes go into open fermenters and the cap is punched down in a traditional method. Stellekaya uses a wooden basket press and matures its’ wines in French oak barriques. Most of the wines are matured for 12 to 22 months in barriques and then spend an extra few months in the bottle before being released into the market.

Ntsiki also makes two other blends in the Fusion collection, one with a touch of Sangiovese and the other with a percentage of Cabernet Franc. The Sangiovese blend is an homage to Dave’s love for Italy where he proposed to his wife. Ntsiki said she was still discovering the potential of Sangiovese. She was quite surprised she noted at how deeply colored her 2009 vintage of Sangiovese has turned out. This wine, called Hercules 2006, spent 10 months in French oak. It was somewhat different than other similar blends I have had with Sangiovese, Cabernet Sauvignon and Merlot. It was deeper and richer with chewy tannins but still a hint of Sangiovese’s acidity came through. I am sure that I would not have been able to place the wine in a blind tasting.

My favorite wine of the three was the Orion 2005 made from a blend of Cabernet Sauvignon, Merlot and Cabernet Franc. I am very partial to Cabernet Franc in general and Ntsiki’s treatment of it was exquisite. This wine truly impressed me and had me asking for many more glasses despite its high alcohol level, 15%. Perhaps it was because it was so amazingly well balanced but I didn’t get the kind of heat I usually do in a wine of that level. It was beautiful with layers of flavors and nuanced aromas of tobacco, chocolate, cedar, herbs and spices. Ntsiki said she had been looking to make a wine like Orion, “one that is full and big but that is accessible. One that speaks to you and gives you everything, all the character, balance and integrity that you could want.” I also tried their mono-varietal wines made from Cabernet Sauvignon and Merlot, both were good but I found the Merlot to be more my style. An easy drinking wine, it went very well with the food served at Braai.

In addition to discussing Ntsiki’s wines, we spoke a bit about what it was like to be one of the only black female winemakers in the country. “I was recruited to study at Stellenbosch and was given a scholarship by South African airlines. I moved 1000 miles away from home, from my grandmother who raised me as if I was her daughter and from everything I knew,” Ntsiki said. “I have been in Stellenbosch for 10 years now, 6 years with Stellekaya but Natal will always be home to me. There have been many changes in Stellenbosch over the last years. Many more black people now attend the University. There were five black women in my class but only two of us are now winemakers.”

Despite being a bit of her element, Zululand only got electricity in 2004, when she first came to Stellenbosch, Ntsiki said it has thus far been a great journey. “Stellenbosch is a great place to make wine. There are no problems with the climate. Sometimes you get a heat wave but not that often. We also have great soils,” she added.

I didn’t get to taste it but Ntsiki also makes a Shiraz. “It’s not at all like your typical Shiraz. Yes it’s big and peppery but it is also smooth and elegant with beautiful colors. Ntsiki has a long history with fermenting juice and used to make her tribal drink in Zululand, stirring a pot for many hours at a time when she was growing up. The drink she was making was a traditional beer made from corn and sorghum. Ntsiki who lost her beloved Grandmother in recent years told me a funny story that underscored just how extraordinary her choices have been.

While fermented drinks are part of the tradition in South Africa as is beer, some areas such as Zululand are not awash in wine. When Ntsiki’s grandmother first tasted her wine apparently she didn’t say anything but the second time she laughed and said that’s much better. “She always encouraged me to be the best I could be. If I am strong today, it is because of her,” Ntsiki said. “Dave is a great boss. He doesn’t micromanage me which is very important and it makes me want to do even better,” Ntsiki added.

Last year, Ntsiki was named Women Winemaker of the Year. “I feel blessed and I think this is going to be a great year,” she added. Ntsiki said that 2009 was a great harvest despite a heat wave and that she had high hopes for the vintage.

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Women In Wine: Susanna Crociani From Crociani Winery in Montepulciano

I have been meaning to write about Susanna Crociani since we first met at Vinitaly 2007. In the interest of transparency, I want to point out that I have spent considerable amounts of time with her and we are good friends. In fact, Susanna was just staying with me for the past week during Vino 2010 and we were speaking together on a panel regarding Social Media on Wednesday together with Alder Yarrow of Vinography, Doug Cook, Head of search at Twitter and founder of Able Grape, Steve Raye of Brand Action and Anthony Dias Blue.

Susanna spoke at length about her experiences writing her wine blog which she began in 2006. To view the panel, please click here.

I have been tasting and drinking Susanna’s wines for about three years now and think they are terrific. My favorite is her Vin Santo. We just opened a bottle of the 1999 at dinner on Friday. It didn’t disappoint and was filled with dried nuts, honey and caramel. I am in the mood for Susanna’s Vin Santo at the end of a meal. Many people tasted her wine during the Grand Tasting on Friday so I think that someone else can give more extensive tasting notes on her wines. Instead, I wanted to share a conversation that we had about Vino Nobile di Montepulciano.

Wine has been made in Montepulciano for 2500 years starting with the Etruscan King Porsenna. Throughout the centuries it has been a favorite of illustrious men including two American statesmen, Thomas Jefferson and Vian Buren.

The Consorzio for Vino Nobile di Montepulciano was created in 1965 and it became a DOCG wine or Denominazione d’orgine controllata e garantita in 1980, long before many other famous wines. Most of the vineyards are located at between 250 and 600 meters above sea level. Vino Nobile spends at least one year aging in wood and another in the bottle before it is released into the market. Many producers put it into oak barrels for a longer period of time. In order to have the denomination, Riserva on the label, the wine must spend three years aging with at least six months in the bottle.

“Vino Nobile di Montepulciano has a marketing problem because it is squeezed between Brunello di Montalcino and Chianti Classico,” Susanna said in our chat. “We are also making the wrong choices.”

“Look at the new legislation. Now you are allowed to add 30% of any grape to the blend while 70% must be Sangiovese Grosso. This is a huge problem because the wines aren’t comparable if everyone uses different grapes and you are taking away our tradition. What we have is a strong tradition and that is what we should be promoting,” She added.

Previously the wine was supposed to have 70% Prugnolo Gentile, at most 20% Canaiolo Nero or 20% other grapes with only 10% white grapes allowed.

Alessandro Baricco, a noted Italian writer coined the phrase Hollywood wines for wines that try to hide their identity or use lots of make up. According to Susanna, Vino Nobile doesn’t need make-up but needs more attention.

When I asked about collaboration between producers, Susanna said that there was a considerable amount of fragmentation and not as much collaboration as she would like. However, she sounded a note of optimism stating that there seems to be some movement towards working together.

This is also the case and is necessary because Tuscany doesn’t have the same appeal as it once did. “We all have to work towards relaunching Tuscany as a region, its wines and its food. I have noticed happily that the Italian Trade Commission is working hard to help facilitate this as are the local authorities such as the Camera di Commercio di Siena and the PromoSiena,” Susanna added.

“There have been many initiatives both in the province of Siena and abroad. The Camera di Commercio helped sponsor numerous producers which enabled them to come to the event in NYC, otherwise it would have been very difficult. They also sponsored the innovative panel on Social Media at the VINO2010 event which seemed to be a success,” she added.

Reflecting on her 2007 Vino Nobile, Susanna noted that is was an excellent year and the wine was fuller bodied and more intense than in 2006 and 2008 with a deeper color. “This wine can age 10 to 15 years easily,” She added. The 2007 bottling was her first without her dear brother Giorgio who passed away in May 2007 at the too young age of 50. Susanna has dedicated a wine to Giorgio called Il Segreto di Giorgio. She refuses to say what’s in the wine and smiles enigmatically when I press her.

She also has a wine dedicated to her father, Arnaldo, which isn’t sold in the United States, at least not yet. I love that wine and drink it happily everytime I visit her at her Agritourism farm called Le Cantastorie look forward to going back soon, maybe after Vinitaly 2010, if I am lucky.

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