Category Archives: Italian indigenous Grape Varieties

Italian Indigenous Varieties: Catanese Bianco & Nero

This week’s grape varieties are Catanese Bianco e Catanese Nero. The former is almost extinct because of its’ extremely sensitivity to disease while the latter is generally used as a blending grape with other varieties in Sicily. This grape grows only in the provinces of Palermo, Trapani and Arigento. While the red version of the grape is hardier than the white, it is still very sensitive to diseases and if it is a wet year, can be affected by Botrytis or noble rot.

I’m on my way later this week to Italy for Vinitaly. I’m quite excited for the trip and one of the pavilions that I plan to spend time in is that of Sicily. I hope to try at least one wine that contains this variety.

As anyone who has been to Vinitaly knows, you must always plan you trip and which days you want to visit which clients, taste new wines, and the like. The fair is too big not to have specific plans.

This year I will be spending time at Vivit as well. This is the second year that Vinitaly has a section dedicated to natural wines – Vivit – Vigne Vignaioli Terroir. I have begun writing about natural wines for the Organic Wine Journal and am looking forward to checking out some new wines and to meeting new producers as well as to seeing old friends and colleagues.

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Filed under Biodynamic Wines, events, Italian DOC Wines, Italian indigenous Grape Varieties, Italian regions, Italian wineries, italy, Puglia, Sicily

Women In Wine Fridays: Donatella Cinelli Colombini

Today is International Women’s day or La Festa delle Donne. It has always annoyed me that only one day a year is dedicated to women but nevertheless, I always mark it in some way. It is a perfect day to write about Donatella Cinelli Colombini . Donatella was the second woman that I met in 2005 who worked in the wine business and was part of the organization, Le Donne del Vino.

I met Donatella when I was writing the first piece of my as of yet unfinished opera on wine. I just got a copy of Tom Hyland’s book today so maybe that will push me to write my own. Donatella ran one of the first all female wineries, Casato Prime Donne. She told me in a brief interview in January that she decided to hire all woman when she went looking for a cellar master and they said with chagrin that there were only women left, no one wanted them in the winery. Her 16 hectare winery makes Rosso di Montalcino and Brunello di Montalcino from 16 hectare of Sangiovese grapes. They use natural winemaking, including indigenous yeasts. She vinifies her wines in open vats, a traditional method in Montalcino.

I had the pleasure of meeting her again in January during Benvenuto Brunello in New York. I found her as interesting eight years later as I did that first time in November 2005. She is first and foremost one of the leading women in wine, a fabulous marketing expert, a lover of art and an incredible source of great Brunello. I tried her Prime Donne 2008 Selezione at Benvenuto Brunello in Montalcino last month as well as her Brunello in New York.

DCC

I found the Prime Donne 2008 to be deep ruby red in color with notes of
red fruit, wood, oak, rich and primal earth aromas. On the palate, the wine was filled with rich juicy fruit with oaky notes and profound tannins. It needed a long time to open and to come around. Oddly enough it was very harmonious but I found it very masculine which was unexpected. I think I was surprised because Donatella has one so much for women that I thought her wine would be more a feminine version of Brunello. It wasn’t. I think it will appeal to a broad cross section of Brunello drinkers.

Donatella said that 2008 had a rainy winter, a hot summer and a classic traditional harvest in October. She said that the temperature during fermentation was hotter than usual so there was more work needed to control the vintage.

Progetto Prime Donne

2008 was rated a four star vintage out of five stars. I though the wines from 2008 was very good across the board. I tasted through maybe 80-100 while in Montalcino and another 20 while in New York. My overall sensation was that many of the wines were ready to drink now, which was unexpected. I am not sure if that is a reflection of the vintage, the winemaking, climate change or the selections that I tasted but I think I tasted widely enough to make a generalization about the year. I would have expected them to be ready to drink in a few years, not so immediately. Perhaps this is a sign of what is to come in the future as well as the planet gets warmer. I’d like to try these wines again in a couple of years.

Donatella told me how much the industry has changed since she began and even since we had our talk in 2005. Now, she said, 1/3 of “all aziende agricole” or wineries are run by women. She noted that they generally tend to do better than their male counterparts because women are more flexible and are used to dealing with crisis better. “It is sort of like the difference between having an orchestra director of the symphony and having a jazz orchestra. The latter is more similar to a female rule at a winery, more freedom, more liberty.” she noted. ‘Women are also great consumers of wine today. They are less loyal to one brand and are more adventurous and very well informed about the wines they drink.”

Since I know she is an art lover, she used to be the Assessore alla Cultura in Siena, I asked what artist she thought was comparable to a Brunello, Rembrandt or Velazquez, she replied. I thought her answer was fascinating, two painters that I adore, whose paintings are profound, layered and nuanced, just like her Brunello. Also, both quite masculine painters. Interesting.

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Filed under Indigeous varieties, Italian indigenous Grape Varieties, Italian regions, Italian wineries, italy, wines, Women in Wine

Italian Indigenous Varieties: Casavecchia Nero from Caserta

The subject line could have been little known Italian varieties and that is exactly the point. Often people talk about just how many grape varieties Italy has. The numbers differ but Attilio Scienza, a Professor in Milan and an expert on all things related to the grape told me in an interview some years ago that only 350 varieties are “authorized.”

What did that mean exactly? Authorized to be used in the production of wines that have rules and regulations governing their production, meaning all DOC and DOCG wines. Scienza is a font of so much knowledge, speaking with him was a true joy. The number 350 may be one that stays in your mind but the real number of varieties grown in Italy is much higher. Every trip I take there, I meet someone growing a variety I had never heard of and never seen before that particular day and that particular producer.

I have a small obsession with little known grape varieties so even though you may never drink a wine made with Casavecchia nera, I feel it is my duty to write about it on the oft chance you encounter it in your wine travels.

Casavecchia nera is a red grape grown in the area around the city of Caserta in the region of Campania. It was brought back to life by two people, Peppe Mancini and Manuela Piancastelli and their enologist Luigi Moio who believed in the power of this grape and desired to see it grow in its ancient soils. The winery they own called Terre del Principe began as a hobby. Peppe remembered grapes that farmers had grown near relatives’ homes as a boy. He searched and found some old vines and had them replanted on his land. One of these, Casavecchia nera, wasn’t even written into the “albo” or list of indigenous grape varieties in Italy grown in his region. All that has changed after much hard work. The variety can now be grown in 11 areas around Caserta at 250-350 meters above sea level where the soils are vulcanic with sand, limestone and clay mixed into the pot. The micro climate is protected by the mountains and the grapes are concentrated because of significant thermal excursions between day and night.

Terre di Principe even makes a pure varietal wine from Casavecchia called Centomoggia. Some 10 wineries in this area now grow Casavecchia with promising results and the grape is officially listed in the “albo.” The pair feel as though they are the parents of this grape and are an example of one couple’s commitment to bringing back ancient vines in Italy.

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Italian Indigenous Varieties: Carricante Bianco

Carricante bianco is a white grape variety that used to be widely planted throughout Sicily. Production of this vigorous variety has now been concentrated in the area around the city of Catania. In the US, perhaps Carricante is best known for the wines it produces on Etna. Etna Bianco must be 60% Carricante while Etna Bianco Superiore must contain at leas 80% of Carricante. I like the name Carricante, one of those words that rolls off your tongue and makes you feel languid, like a hot summer day in Sicily. The grape variety is apparently quite susceptible to disease and high temperatures and must be grown with leaf cover to protect its delicate bunches.

It produces a white wine with notes of white fruits and flowers. It can be blended with other white grapes or even with Nerello Mascalese, another common variety seen around Etna.

I climbed Etna back in 2003 after a sailing trip with friends around the Aeolian Islands. My photos are of course, not digital. It was an amazing experience and one I highly recommend. It gave me a profound understand of the soils around a volcano and why generally they make such superior wines.

There are many Etna Biancos on the market. Here’s a nice piece by Cheapwinerating.com about the area and some of the wines. I highly suggest reading it, even if you are in a cold clime today, you will want to go out and drink white wine made with Carricante.

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Filed under Indigenous Varieties, Italian indigenous Grape Varieties, Italian regions, sailing, Sicily, wines

Wine of the Week: Baglio di Pianetto Ficiligno 2010

Baglio di Pianetto

I had this wonderful wine from Baglio di Pianetto a few weeks ago at Salumeria Rosi. I was impressed with the blend of 50% Viognier, 50% Insolia. Viognier grows beautifully in this part of Sicily, relatively close to Palermo and at an elevation of 500-600 mt above sea level.

The wine was foral and rich with interesting nutty character as well that I imagine comes from lees stirring. The high tech winery built by the Marzotto family uses gravitational forces in the four story winery for their grapes, both those going into steel as well as wood.

I was really taken with this wine and remembered having met someone who worked at Baglio at a New York event last year. Doing some research I discovered that Tom Hyland has visited the winery and posted about Ficiligno here. Here rightly suggests this is a wine that can age. I agree with him and would love to taste it in a few years so see the evolution.

This winery is located in the Monreale DOC area. My mother and I visited the Cathedral in 2003 and I still regret not buying the large and heavy book with reproductions of the exquisite mosaics.

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Filed under Italian DOC Wines, Italian indigenous Grape Varieties, Sicily, Travel, Wine of the Week, wines

Italian Indigenous Varieties: Carmenere In North-Eastern Italy

Carmenere in Italy is always a difficult subject to tackle I find. Many of the vines that were thought to be Carmenere in Friuli for example were later discovered to be Cabernet Franc or Merlot.

Many others are still not sure whether their vines are Carmenere or Cabernet but one producer who stands out is Inama in the Veneto who makes a Carmenere wine called Carmenere Plus. Here’s a great review of the wine from Mary Ewing Mulligan of a previous vintage. I have not tried either of his Carmenere wines but am now very curious to do so after reading this piece and the one below.

Here’s a nice piece on Carmenere in general from Jason Wilson in the Washington Post.

Carmenere we all now associate with Chile but it is, as both writers have remarked, a traditionally Bordeaux-based variety. It’s easy to imagine how the wines came to grow in Italy. I couldn’t find any historical reference to it. What I did find is that it has its’ own classification or “disciplinare” as one of the DOC wines from the Colli Berici.

There are actually a number of wineries in the area which is located near the city of Vicenza. I find that Vicenza is often overlooked as a tourist destination but I loved visiting the city when I was in graduate school in Bologna and its’ Teatro Olimpico is well worth seeing.

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Italian Regions – Calabria – Terre di Cosenza DOC

As 2013 begins, I have unfinished business from 2012 to attend to, none more than three articles which never got written in 2012 thanks to too much work, too little time and life in general. I was happy to see a post bemoaning similar pieces almost not written in 2012 by Alice Feiring who is a much more prolific writer than I am. I guess we all have articles that remain unwritten until the right moment reveals itself.

I then preceded to read a number of Alice’s last posts in December, including one on the Drinks Business article on the 50 most influential women in the wine world. All the posts were worth a read but that one really piqued my interest.

I’ve been trying for years now to write a book on women in wine and I often find myself asking some of the silly questions that Alice refers to but what has stymied me the most is that many women don’t, rightly so, want to be thought of in terms of what sex they are but rather on the quality of their work. There’s no denying that being a woman in the wine world is different than being a man but certainly that is just a starting point.

Terre di Cosenza

I’m still trying to complete that book and hope this will be the year I actually do it. I can take a leaf from Tom Hyland who recently published his book and of course, from Alice herself who has published two of note.

Terre di Cosenza DOC wines

As always, I digress, from the topic of this entry – Italian wines from the Terre di Cosenza DOC of Calabria. How did I discover these wines? Through an amazing woman I met at Vinitaly, Maddalena Mazzeschi. I had the pleasure of meeting Maddalena through a mutual friend, Susanna Crociani.

I haven’t visited Calabria in many years and the last time I was in Calabria was 2003. I went to see two beautiful men, the Bronzi di Riace, in Reggio Calabria, took a local train to Tropea, a lovely town on the coast, and went swimming in the cleanest water I have ever seen at Scilla. What I remember from that trip was the beauty of land and the spiciness of the food. Calabria is home to some of the world’s most famous peperoncino. What I didn’t remember at all were the wines and not because I didn’t drink them but because they left me without any lasting memories.

The only winery I had heard of at the time was Librandi, a leader and a great winery. In 2011 I was invited to an amazing vertical tasting of their wine “Magno Megonio,” another post that ought to be written.

Since that time, things have changed and I have discovered many wines from Calabria often based on Gaglioppo. Terre di Cosenza DOC is a new DOC that was created in 2011.

Terre di Cosenza DOC

There are a variety of wines that are governed by this new DOC including a red, a white, a rose’, a sparkling white and a sparkling rose’and a wine called “Terre di Cosenza DOC Magliocco”. There is also the possibility to make novello, red and white passiti, and red and white late harvest wines in the new legislation as well as a riserva version of the red wine and the Magliocco. There is also an additional “sottozona” or area that can be indicated on the wine – “Colline di Crati” to indicate a specific part of the viticultural area where the grapes can be grown.

For the red version of Terre di Cosenza DOC, wineries must use:
Magliocco (a minimum of 60%) while the Rose’ must be a created from the following grapes either individually or blended for a minimum of 60%:
Greco nero, Magliocco, Gaglioppo, Aglianico, Calabrese.

White Terre di Cosenza DOC is made from Greco bianco, Guarnaccia bianca, Pecorello, Montonico (locally Mantonico), alone or together they must be 60% of the blend.

Both the white and rose versions of the sparkling wine must be made from 60% Mantonico and “Terre di Cosenza” Magliocco must be made from 85% Magliocco.

As often happens when tasting wines at Vinitaly, the local office of the Italian Sommelier Association of the region was involved in my tasting. They were all very efficient and friendly.

Terre di Cosenza, in Northern Calabria, was created in order to simplify the panorama of Calabrian wines, I was told, and it incorporated some of the existing DOCs and IGTs. Calabria as a wine region was already producing wines when the Romans occupied the land but the fame of these wines disappeared for many years and the wines were first mentioned again in the Middle Ages.

Magliocco Dolce (Arvino) was the grape that held my interest with its spicy, sexy dark fruit and tertiary aromas and flavors. I could see how this grape and the wines made from it were able to hold their own against the Calabrian cuisine, which for me at times, was almost too spicy and I love spicy food.

Magliocco Dolce was a real discovery and I was enthusiastic about its’ potential. It is often blended with Greco Nero in these wines, a combination I preferred to the blending with international varieties. Other interesting grape varieties that I tried were Montonico and Pecorello.

In terms of climate and exposition, the entire Calabrian peninsula is surrounded by the sea, both the Ionian and Tyrrhenian sides of the Mediterranean. The area near Cosenza, however, does have higher elevations than some of the other DOCs in Calabria. The climate is Mediterranean near the coast and becomes more Continental as you move inland, I was told. Calabria suffers from drought but the grape varieties grown in this area are well suited to the particular micro-climate and are able to ripen thanks to good thermal excursion between day and night temperatures.

I was excited to try these wines and look forward to getting to know the area better. Calabria, like much of Italy, is a wealth of treasures which need to be savored slowly and thoughtfully and which are best shown to you by friends.

Before I end this though, I must mention one fruit from Calabria which is close to my heart, the Bergamotto.

Bergamotto

This citrus fruit is used in a variety of ways – as an essential element in many perfumes, as a celebratory fruit in Jewish ceremonies, and as an element in baking. A chef I met in New York two years ago, a Paolo Caridi, for a project that I was working on for Casa Italiana Atletica has founded an entire pasty shop in Reggio Calabria based on using ancient aromas such as the Bergamotto.

While Calabria is not on the beaten path, the attention that they are now devoting to their wines deserves to be recognized. If you can see the Bronzi di Riace and also swim in that beautiful sea at the same time, I think you will feel very satisfied with a trip to Calabria, a feast for the stomach, the heart and the soul.

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Filed under Art, Calabria, Indigeous varieties, Italian Delicacies, Italian DOC Wines, Italian indigenous Grape Varieties, Italian regions, Italian wineries, wines, Women in Wine

Italian Indigenous Varieties: Caricagiola Nero & Carica L’Asino Bianco

While I have been trying to write this column on Mondays, events overtook me yesterday and I wasn’t able to do it so rather than wait another week, I am writing on a Tuesday, a day I usually reserve for the Wine of the Week.

The first two varieties, one red and one white, are almost unknown even in Italy, both may have gotten their start in Liguria and then migrated to other regions.Caricagiola to Sardinia and Carica l’asino to Piedmont. Both are used exclusively as blending grapes in local table wines. Carica l’Asino has a funny name and it may be related to the Vermentino-Pigato family of grapes. Apparently also considered a workhorse grape, Asino which means donkey was considered an appropriate moniker. Carica l’asino is usually blended with Cortese, Timorasso, Barbera Bianca e sometimes with Moscato.

While you may never find wines made from this grapes, it’s interesting to note just how many varieties Italy has in its inventory.

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Italian Regions: Lombardy – San Colombano DOC – St. Ambrogio

Today is a holiday in Milano celebrating their patron Saint, Sant’Ambrogio. I write about this ever year and always remember that today is also the anniversary of Pearl Harbor or the “day that will live in infamy.”

La Scala opens its’ season as well but for that and for opera in general, Fred Plotkin is the reigning guru as well as a friend. Fred is an expert in many areas of Italy and an impressive polymath.

Here are some older posts on the topic. Once again, when mentioning Milan, I like to talk about it’s one DOC region, San Colombano al Lambro.

Milano

San Colombano al Lambro” or “San Colombano” Rosso must be made with croatina: 30-50%; barbera: 25-50%; and up to 15% of uva rara. Other red grapes grown in Lombardy can be used up to 15% of the total for the red version.

White San Colombano al Lambro is made with a minimum of 50% chardonnay; 10% minimum of pinot nero. Other white grapes, except for aromatic ones can be added to the blend for a total of 15%.

Once again, I couldn’t find the wines on wine-searcher and you might be hard pressed to find them outside of their local region but if you are in Milan and I hope to be very soon for work and pleasure, try one of these wines. Good valued and easy drinking wines. If I could get some in New York, I would raise a glass tonight to celebrate St. Ambrogio and the heroes and survivors of Pearl Harbor, one of whom was a relative of mine.

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Italian Indigenous Varieties: Canaiolo Rosa, Canina Nera and Cannonau

These first two grapes that I mention in the title of this post are basically extinct except for a few rows grown for private use, the former in Tuscany near the town of Lucca and the latter in Emilia Romagna, near the city of Ravenna. Cannonau by comparison is a very widely grown grape on the island of Sardinia.

Cannonau is the most well known of Sardinian’s red grape varieties and produces a lovely fruity red wine with a slight bitter undertone. Related to the Spanish variety Grenanche, it is also called Alicante in other parts of Italy such as the Maremma. Cannonau was brought to Sardinia from Spain during the 1400s it is thought on a mercantile ship, during the period of Spanish domination of the island which lasted from the end of the 1300s to the 1800s first under the Crown of Aragon and then under a United Spain. The Kingdom of Sardinia passed into the hands of the Holy Roman Emperor Charles VI as part of the Wars of Spanish succession.

Scan 1

Cannonau is used to make both still wines as well as some fortified wines. I have never tried one of the fortified wines but like many of those made in the still version. It’s hard to write about any Sardinian wine without mentioning one of the most famous wine families – Argiolas. I have written numerous posts on the family, among which this one when the family patriarch died in 2009. They are by no means the only winemakers on the island but they were instrumental in putting these wines on the map, certainly in the US. Additionally, the wines are widely available and easy to approach for those who aren’t familiar with Sardinian wines.

Budelli

I haven’t been to Sardinia in over 10 years but I spent an incredible three weeks there in 2001 in the town of Poltu Quatu. I sailed J24s for one week and sailed around the Maddalena archipelago for another week, sailing through the straits of Bonifacio to Corsica. It was one of the most memorable experiences of my life and the lunar landscape as well as the color of the sea is forever emblazoned in my mind. If you ever get the chance to go, jump at it. If not, drinking Cannonau at home can give you a glimmer of life in Sardinia.

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