Category Archives: Restaurants

Italy in New York: Alta Cucina Opens for Lunch

I have been missing Italy a lot these past few days. It’s the holiday season, Sant’Ambrogio, the beginning of le citta’ adorned with Christmas lights and of course missing my friends. What I always miss is the ease of eating a good meal at lunch without paying a fortune. When I worked in Italy, you could go out for a relatively quick bite to eat and have something healthy as well as enjoyable while sitting down and chatting with a friend.

I am happy to report that the same is now true near my office in New York City. Alta Cucina is open for lunch from 12:00 – 2:30 pm, Monday through Friday. This lovely little Italian outpost is in an interesting area with a dearth of good lunch options, East 38th Street right off of Madison Avenue.

Alta Cucina, which is also open for breakfast Italian style – coffee and pastries – from 700am on, has been a resource for me in many ways since I moved back to New York and they opened their doors. Alta Cucina sells Italian specialty products and also holds cooking classes. I started my Italian indigenous grape variety series for their website and then moved it to this blog.

I don’t like to eat a heavy meal at lunch nor to spend a lot of money midday unless I am doing something festive. Alta Cucina has salads, soups, pasta and pannini at very reasonable prices which is also a joy. I ate there today and had lentil soup and a salad for a modest sum and felt like I had spent lunchtime in an Italian local. While nothing beats going to Italy, I am happy when I can find a touch of il Bel’ Paese here in New York City.

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Filed under Indigeous varieties, Italian recipes, Italian Restaurants, italy, Memorable Events, Restaurants

Spanish Wine For Summer: Garnacha Blanca From Las Colinas Del Ebro At Nuela

In addition to being an Italofile and a Francofile, I have discovered in the years that I have returned from Italy, a great interest in all things related to Spanish speaking nations, be it the cuisine, the language and of course, the wines.

Earlier this year I had a great meal at a really fun restaurant that is a blend of Latin fusion dishes called Nuela. I highly recommend it. Not inexpensive but well worth it. It also has a hopping bar scene.

We had the Verde Rice. It was delicious and very filling for a main course and cebiche as an appetizer which was divine. To pair with this great food, I had a Garnacha Blanca from Las Colinas del Ebro 2009.

The wine comes from an area called Terra Alta which is in Southern Catalonia. The vines used to make their Garnacha blanca wines are about 100 years old. One of the reasons that the grapes have stayed healthy is the presence of the Cierzo, a drying wind from the Ebro valley. Another is the soil which is a mixture of limestone and clay allowing for good drainage.

The wine is made in stainless steel although there is some skin contact prior to fermentation. I thought it was still drinking really well despite the fact that it was the 2009 not the 2010 and that the blend of minerality, acidity, fruit and floral notes worked perfectly with food. Definitely a keeper, I am craving a trip to Spain.

On last note, for dessert, the Alfajores are not to be missed. I first had these treats on my trip to Argentina . I fell in love, yes with Argentina but moreover with these exquisite goodies.

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Filed under Argentina, Restaurants, spain, wines

Bottega Falai – Tuscan Chef Iacopo Falai Expands Empire

I’ve just been in the mood for Tuscany lately, what can I say. I was there just two short weeks ago having dinner with friends I have known for 20 years. I miss those carefree Tuscan days and my friends but lucky I can get good Tuscan fair right here in New York thanks to Iacopo Falai who made his name as a pasty chef in New York and is certainly remaking himself into a serial entrepreneur in the food industry. His latest venture, Bottega Falai, is doing just as well as all of his other locations.

The Bottega operates from 7 A.M. – 10 P.M. and sells a number of items to take out. There are a few tables to sit and have a coffee and a pastry but the main thrust of the place is that of a caffe. In the Bottega, one can buy all the fresh ingredients used to make delicious dinners at the restaurant next-door, Caffe Falai. The location on Lafayette was just recently expanded. Of course, using the same ingredients doesn’t guarantee that you food will be as good as Falai’s but one can always hope.

One can find prestigious Italian olive oils, teas, pastas, mineral waters, seasoning, and some prepared foods as well as a host of breads and pastry made daily.

To read more about the bottega, check out my article on Alta Cucina Society’s website.

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Birthdays, Bloggers, Barbaresco & Me

I’m totally immature about my birthday. Every year it’s the same thing. I love my birthday the way I did when I was a little kid. I love to celebrate, I love presents and flowers and good wine and friends. This birthday I celebrated with old friends, family, special people, clients and some new friends too.

I gave myself a nice little treat and had a lovely 2003 Montaribaldi Barbaresco with Sasha Smith and Diane Letulle last night at Accademia di Vino Broadway. They are a client of mine so I won’t go on and on about the food or anything else but I do want to mention the great deal that they have on Monday nights – Half priced bottles of red wines for those over $80, like the Barbaresco I ordered and whites over $60. Last night was my first Monday there but won’t be my last. I never order Barolos or Brunellos in a NYC restaurant because of the markups but that looks like it’s going to change thanks to this 50% off deal.

The wine was fabulous and didn’t over power the beef carpaccio, cheese of Truffle pizza that we paired it with last night. It was well integrated and balanced with lovely dusty cherry notes, violet, and smooth elegant tannins. I forget how lovely Nebbiolo can be when I don’t have it for a while. I didn’t know the producer but do know that 2003 was a very hot year so I was a little surprised to see that it was still so well balanced. Perhaps this Barbaresco isn’t as long lived as some other years but I certainly thought it could go for another 3-5 years.

Diane a wine educator and blogger and a new friend I met at our Snooth dinner party last weekend at ‘Cesca. She writes of The Manhattan Wine Examiner and Wine Lover’s Journal.

Sasha I’ve met on a few occasions and most recently at a Soave tasting at Colangelo Pr’s office. She also was at our Snooth blogger dinner. She writes a great blog called Spin the bottle .

Eric Guido who came to our lovely Snooth Blogger dinner wrote a lovely review of his meal at ‘Cesca that I just had to share it. He pens the VIP Table blog He also gave the three of us a very big shout out. Thanks Eric.


Anyway, another birthday has come and gone. Thanks to all who participated, it was just what the doctor ordered.

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Filed under Italian indigenous Grape Varieties, Italian regions, Italian Restaurants, Italian wineries, italy, Restaurants, wines

Colle Massari & Grattamacco Vertical Tasting At Del Posto

There are some invitations you just can’t pass up. The one I received some weeks ago was one of them. Bedford International hosted a beautiful luncheon at Del Posto to do a vertical tasting of Grattamacco wines and wines from the Colle Massari property, both owned by Claudio Tipa. Tipa was born in Tunisia to Italian parents from Sicily. Along with many other European families, he moved back to Italy when Tunisia became independent. He has had a long love affair with the wine business, particularly with French wines and their Domaine styles. He is looking to create the Domaine concept on his estates in Tuscany.

Colle Massari was founded in 1999 and makes wines under the Montecucco D.O.C. in Upper Maremma in Tuscany. Tipa said that this was the ideal place to make Sangiovese-based wines, nestled between the fruitier and more acidic wines of Morellino di Scansano D.O.C. and the heavier, more serious wines from Brunello. “We want to make wines with depth but we don’t want to lose that lightheartedness or allegria that comes from a Morellino,” Tipa told me at lunch. The first vintage produced at Colle Massari was the 2000.

Colle Massari’s vineyards are located at the foot of Monte Amiata, at 320 meters above sea level. The winery has 300 hectares or abut 740 acres, 40 of them planted with vines. The wines are made under the supervision of enologist Maurizio Castelli, a very well known winemaker who also works with the Bastianich family wines, among others.

Castelli explained to our group how the grapes were all hand selected on sorting tables and how Colle Massari wines are certified organic, a rarity in Italy. The picture above is of the Castello Colle Massari built by the Patrizi family during the Renaissance. In the not too distant future, it will be a private home with guest rooms and a conference center.

Tipa has built a 65,000 square foot cellar where none of the grapes are pressed or pumped but only gravitational forces are used. Tipa also told me that those that pick the grapes at Colle Massari are very familiar with the property and have been doing the harvest for years allowing them to have real familiarity with Sangiovese.

In fact, Castelli noted that one problem some modern growers have is that they don’t treat Sangiovese the way they should. ‘Sangiovese needs shade and many of the new generation take the leaves off. Sangiovese is very sensitive to sun and wind. This is why you don’t always see great Sangiovese on the coast,” he said. “Sangiovese can age for 10 to 12 years at least.”

We tried a Vermentino from Colle Massari, Melacce 2008 which had great white fruit aromas and flavors and was quite refreshing despite its 13.5% alcohol. Castelli said this clone of Vermentino which is different than those found in Liguria, Sardinia, and Corsica, produces wines with more body than perhaps those that we had tried in the past.

I particularly liked the Rigoleto 2007 made with Sangiovese, Montepulciano and Cigliegiolo. This wine aged in barrique, tonneau and stainless steel, was fruity with spicy notes and a velvety mouthfeel. It had beautiful acidity as a Sangiovese should and was a pleasure to drink with the food served.

My favorite of the Colle Massari wines were the Lombrone 2004 and the Lombrone 2005. These wines were 100% Sangiovese. What a beautiful expression of this grape which I adore. I’d be hard pressed to choose between one and the other. I thought they had great acidity, black and red fruit, ripe tannins with spicy notes and a long finish.

Both are made from selected grapes. They undergo malolactic fermentation in 40 hectoliter vats and are then aged in them. Only 6000 bottles were made of the 2004. The wines spend 18 months in the bottle after aging in the vats. I was very impressed by these wines which accompanied the meat dish quite well. Sangiovese is always an incomparable food wine for me and this was truly a wonderful expression of what it can do in the Montecucco D.O.C.

I loved the Colle Massari wines but the hype about the tasting was that we would do a vertical tasting of wines from Grattamacco, a very famous estate in Maremma, the second one to begin production there, around the same time that Tenuta San Guido made the famed Super Tuscan, Sassicaia.. Super Tuscan is short hand for wines made outside of the traditional D.O.C./D.O.C.G. requirements. These Bordeaux style blends are usually made with Cabernet Sauvignon or Merlot and sometimes Sangiovese and Cabernet Franc, or any combination thereof. The first Super Tuscan to be called that, Tignanello, was made in 1978 by Piero Antinori.

Much has been said about these wines which were heavily overvalued and sought after in the 1990s and then somewhat fell out of favor as a movement towards “indigenous” grape varieties began to take root. I have always tried to stay out of the debate about which wines are better: traditional Tuscan wines or Super Tuscans. I won’t say I love all my children equally, not owning any of these vineyards ahime’, but what I will say is that some of my most memorable experiences include wines such as Ornellaia, Masseto and Carmignano. Carmignano has been made from a blend of Cabernet Sauvignon and Sangiovese for centuries. My point here is that a great wine is a great wine. I digress. Back to Grattamacco.

Grattamacco was created in the 1970s and Tipa bought it in 2002. It is part of the Bolgheri D.O.C. area about which so much has been said. The first wine from Grattamacco was a Cabernet Sauvignon, Merlot and Sangiovese blend made in 1978. The winery is quite close to the sea, one kilometer, which has a mitigating impact on the heat in Maremma and brings fog to the vineyards. The winery has 30 hectares with 10 hectares planted with vines. The vines are about 15 years old on average.

Fermentation of the wines is done using ambient yeast and with long maceration time, 25 to 30 days in cone shaped 800 liter oak vats. At the end of the maceration, the wines are put into barriques. After 12 months, they are taken out and blended and then are put back in for a further 12 to 18 months followed by at least six more months in the bottle. The wines are a blend of Cabernet Sauvignon, Merlot and Sangiovese, just as they have always been.

The winery is located at 100 meters above sea level. Castelli said it is a golden area, somewhat like California’s coast. Some of the vines are quite old while others are newer and have been replanted. This is why the average age is 15 and not 30 years. Castelli said they often do green harvesting on the vines and always use sorting tables. According to Castelli, the best expression of the Grattamacco wines is after about 10 years. “Pure Sangiovese on the coast is difficult but we know how to work with it,” Castelli said. Tipa told me that the same people who do the harvest at Colle Massari come to Grattamacco therefore their familiarity with the wine maker, the owner and most important with Sangiovese can be a real help.

We tried six vintages of Grattamacco Superiore, the 1999 2001, 2003, 2004, 2005, and the 2006. The color of all of the wines was the most brillant, glowing ruby red that I have ever seen. That’s a result of the long maceration they undergo on the skins. I was partial to the 2006, 2005 and the 2004. 2003 was a hot year all over Europe. The 2001 was also interesting but oddly enough I preferred the younger wines and would love to see how they age.

The 1999 and 2001 were ready to drink and quite different than the other wines. They had a barnyard or Brett-like quality which I like but many people do not. Brett comes about for a whole series of reasons which I will discuss in another post. Mostly, it was clear that the wine had been made by a different hand. It was put into the tasting to show the potential these wines have. I would be very happy to drink the 2004, 2005 and 2006 in a few years time, if I could wait that long.

Castelli said that 2006 was a perfect weather year and he had high hopes for that vintage in some years to come. It already had great fruit and pencil shavings, spice and oak on the nose but was too young to drink. The 2005 was quite closed at first but then opened up to reveal complex tertiary notes . Castelli loved this vintage and I would like to taste it again in a few years time. The 2004 was magical I thought, elegant and complex with black fruit, smoke and spice.

Each vintage is made with the same three grapes, in the same percentages. It is 65% Cabernet, 20% Merlot and 15% Sangiovese. Tipa is partial to French wood on these wines. I also learned the name of a new Tuscan herb I had never heard of Elicriso. Apparently this herb grows all over the winery and is a distinctive note in the wine.

Before starting out on our vertical tasting, we also tried two wines that Grattamacco makes, Bolgheri Rosso and Alberello. Alberello is a blend of Cabernet Sauvignon, Cabernet Franc and Petit Verdot. I have always thought Petit Verdot and Cabernet Franc are great grapes to grow in Maremma. This wine was delicious and round, smoky and earthy at the same time with spicy notes from the Cabernet Franc, a very sexy grape in my opinion. The Bolgheri Rosso was a blend with both Cabernets, Merlot and Sangiovese. It was a great wine to have with any meal although of the two, I preferred the Alberello.

A lot of care went into making these wines and that showed through in all of the vintages and all of the wines. The Bolgheri area is renowned for its rich heavy, stone soils and Mediterranean weather. The wines that emerged from the tasting, while somewhat different because of vintage, all shared certain characteristics whether it be black fruits, bramble notes, spice or oak. It was exciting to think what the wines would taste like in a few years.

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Women in Wine: A Chat With Stellekaya’s Ntsiki Biyela

I met Ntsiki Biyela, a 30 something South African winemaker who was born and raised in Kwa-Zulu Natal, about a month ago during her visit to promote Stellekaya’s wines in the United States. Ntsiki is one of only two or three black female winemakers in South Africa but that isn’t the only reason that she’s so remarkably interesting. It’s because she’s a young, dynamic, great winemaker. She’s also a very talented communicator and actually convinced me to take a second look at Pinotage, a grape that I have never been partial to, to be quite frank. I spent many hours chatting with Ntsiki over the course of an afternoon and during a dinner that was organized at Braai, a South African restaurant owned by the same people that run Xai Xai, the well known South African wine bar.

Ntsiki joined Stellekaya in 2004 and was at first assisted by Peet Le Roux. She’s been making the wines on her own since 2005 and works at times with consultant Michael Carmichael Green. Her 2004 Cape Cross won a Gold medal at the Michelangelo Awards. It was the first gold medal won by a black winemaker in South Africa and it was her first vintage.

Stellakaya is owned by Dave Lello and his wife Jane. Stellekaya, located in Stellenbosch, came out with its first vintage in 1999. Stellekaya means home of the stars, a combination of the Italian word for stars, Stella and Kaya, an African word for skies. That’s how Dave sees his winery, an African winery that makes wines in the European tradition. Stellekaya currently makes about 10,000 cases a year from these noble grape varieties: Cabernet Sauvignon, Merlot, Cabernet Franc, Shiraz, Pinotage and Sangiovese.

Ntsiki makes two lines, the Fusion Collection and the Eclipse Collection. I tried a number of the wines and was quite partial to the Fusion Collection, a series of blends made from the same base, Cabernet Sauvignon and Merlot with a touch of a different grape added to differentiate each of the three wines.

The Cape Cross which is Ntsiki’s favorite is a blend of Cabernet Sauvignon and Merlot with a small percentage of Pinotage. She made me a convert as well. She called Pinotage a spoiled child that wants to grab all the attention. That is if you let it. The trick, she noted, was to keep it under control and not allow it to dominate the blends. Ntsiki looks for balance and integrity in all of her wines and it seemed to me she was right on target with the Cape Cross and other wines.

Both Dave and Ntsiki spoke about how Pinotage is misunderstood in the United States because we have only gotten poor examples that have green bell pepper notes. Pinotage, they said, needs to be trained on a trellis and not grown on a bush vine the way many producers grow it. Stellekaya also allows its’ grapes time to cool after harvest and then lets them go through a cold maceration for 3 to 4 days. The grapes go into open fermenters and the cap is punched down in a traditional method. Stellekaya uses a wooden basket press and matures its’ wines in French oak barriques. Most of the wines are matured for 12 to 22 months in barriques and then spend an extra few months in the bottle before being released into the market.

Ntsiki also makes two other blends in the Fusion collection, one with a touch of Sangiovese and the other with a percentage of Cabernet Franc. The Sangiovese blend is an homage to Dave’s love for Italy where he proposed to his wife. Ntsiki said she was still discovering the potential of Sangiovese. She was quite surprised she noted at how deeply colored her 2009 vintage of Sangiovese has turned out. This wine, called Hercules 2006, spent 10 months in French oak. It was somewhat different than other similar blends I have had with Sangiovese, Cabernet Sauvignon and Merlot. It was deeper and richer with chewy tannins but still a hint of Sangiovese’s acidity came through. I am sure that I would not have been able to place the wine in a blind tasting.

My favorite wine of the three was the Orion 2005 made from a blend of Cabernet Sauvignon, Merlot and Cabernet Franc. I am very partial to Cabernet Franc in general and Ntsiki’s treatment of it was exquisite. This wine truly impressed me and had me asking for many more glasses despite its high alcohol level, 15%. Perhaps it was because it was so amazingly well balanced but I didn’t get the kind of heat I usually do in a wine of that level. It was beautiful with layers of flavors and nuanced aromas of tobacco, chocolate, cedar, herbs and spices. Ntsiki said she had been looking to make a wine like Orion, “one that is full and big but that is accessible. One that speaks to you and gives you everything, all the character, balance and integrity that you could want.” I also tried their mono-varietal wines made from Cabernet Sauvignon and Merlot, both were good but I found the Merlot to be more my style. An easy drinking wine, it went very well with the food served at Braai.

In addition to discussing Ntsiki’s wines, we spoke a bit about what it was like to be one of the only black female winemakers in the country. “I was recruited to study at Stellenbosch and was given a scholarship by South African airlines. I moved 1000 miles away from home, from my grandmother who raised me as if I was her daughter and from everything I knew,” Ntsiki said. “I have been in Stellenbosch for 10 years now, 6 years with Stellekaya but Natal will always be home to me. There have been many changes in Stellenbosch over the last years. Many more black people now attend the University. There were five black women in my class but only two of us are now winemakers.”

Despite being a bit of her element, Zululand only got electricity in 2004, when she first came to Stellenbosch, Ntsiki said it has thus far been a great journey. “Stellenbosch is a great place to make wine. There are no problems with the climate. Sometimes you get a heat wave but not that often. We also have great soils,” she added.

I didn’t get to taste it but Ntsiki also makes a Shiraz. “It’s not at all like your typical Shiraz. Yes it’s big and peppery but it is also smooth and elegant with beautiful colors. Ntsiki has a long history with fermenting juice and used to make her tribal drink in Zululand, stirring a pot for many hours at a time when she was growing up. The drink she was making was a traditional beer made from corn and sorghum. Ntsiki who lost her beloved Grandmother in recent years told me a funny story that underscored just how extraordinary her choices have been.

While fermented drinks are part of the tradition in South Africa as is beer, some areas such as Zululand are not awash in wine. When Ntsiki’s grandmother first tasted her wine apparently she didn’t say anything but the second time she laughed and said that’s much better. “She always encouraged me to be the best I could be. If I am strong today, it is because of her,” Ntsiki said. “Dave is a great boss. He doesn’t micromanage me which is very important and it makes me want to do even better,” Ntsiki added.

Last year, Ntsiki was named Women Winemaker of the Year. “I feel blessed and I think this is going to be a great year,” she added. Ntsiki said that 2009 was a great harvest despite a heat wave and that she had high hopes for the vintage.

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Is Wine By The Glass The Best Option? Not Always Clear What Is In The Glass

I often order wines by the glass when I go out. Why? Certainly you pay more than you should for a wine by the glass, likely the entire cost of the bottle to the restaurant or even more than the cost of the bottle. That said sometimes I want just a glass of something or I want to try a different wine than the person/people I am with, and sometimes I think the price by the bottle is outrageous.

Unfortunately what I have noticed with greater frequency is that even at established restaurants, wine bars and music venues in New York City, bartenders think that if you order wine by the glass you don’t care what you drink. Over the weekend, I went to a music venue which purports to be much more than that and was served a wine by the glass that I didn’t order.

The bartender probably figured that I wouldn’t notice the difference. When I mentioned it to the waitress, she graciously apologized and comped me a glass of wine which she poured at my table. However, I am sure she didn’t complain to the bar.

Why I am writing about this? I know first hand that this practice happens all over the city, maybe all over every city, and I can understand why as well. That’s not the point though is it. This is much like the brunello scandal on a small scale. Many people knew that Brunello was made with grapes other than Sangiovese but ignored the practice because it was common knowledge. The American customer however who was paying a fortune for Brunello complained loudly that they wanted only Sangiovese in the glass. We know what happened there but the point is something else. If you pay for one thing, people shouldn’t switch what is in the glass thinking that you won’t notice.

As a wine writer, blogger and publicist, I also think this is terrible for brands and that producers should speak up. Say I order a wine by the glass from a producer and the bartender switches the wine because he/she needs to finish something they already have open. If I hate the wine and then write about it, that damages the image of the wine in the eyes of the consumer. Even if I don’t write about wine but just consume it, if you give me a wine I didn’t order and perhaps don’t like, then you’ve just cost the wine producer a client.

This long rant is essentially just a call to have restaurateurs and their bartenders be more aware that the customer needs to be served what they have ordered. These practices only go on with the knowledge of the owners so it is up and down the line that this needs to be addressed. I will not go back to that music venue again and if I do, I will inform the sommelier, also someone I know, what the is going on there, assuming that they are unaware of what happens when they aren’t present. This is totally unacceptable and should be called out in my view.

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Abruzzo wineries: Agriverde’s Wines, Spa and Agriturismo

I had promised that I would write about all the wines from Abruzzo that I tasted at Vinitaly as a way to honor the victims of the earthquake on April 6 and to support the region and its inhabitants. I got distracted by some other wines I have tasted in between but I have not forgotten my promise, nor some of the interesting wines I tried.

One winery which I found thanks to my friend Paolo Vino from the Associazione Italiana Sommeliers (AIS) group, is Agriverde, a winery in Ortona, in the province of Chieti in Abruzzo.

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The winery was founded in 1830 and is located between the Adriatic coast and Mount Majella. The winery uses organic techniques to grow and harvest the crops. In fact the entire company pays careful attention to environmental issues, not only in its farming but also in building construction. Both the wellness center and the agriturismo were built following specific enviornmental guidelines.

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The winery is currently offering enticing weeks at the spa for vinoterapia. Sounds very appealing and I admit to being quite tempted.

Agriverde has numerous wines made from Montepulciano d’Abruzo. Trebbiano d’Abruzzo, Chardonnay, a couple of rose’s and a pecorino. My favorite Montepulciano d’Abruzzo was the Piane di Maggio. The wine ferments and ages in steel. It doesn’t see any wood at all. I like this clean, fresh style for Montepulciano although I have had some aged ones which knocked my socks off. This wine was imminently enjoyable and was a good find. Grazie PV.

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SensOfWine 2009 Event At Cipriani, Video Clip

For those who weren’t able to attend the lovely SensOfWine 2009 event at Cipriani 42nd on February 20, here’s a short video of the evening.

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For more information about the event, please go to Altacucina Society’s website. Altacucina organized the event together with Italian wine expert Luca Maroni. That brunette looking away from the camera while holding a microphone is yours truly and I spoke with Paolo Vannini, Luca Maroni and David Lynch, writer, author, sommelier and currently GM at the John Dory.

I tasted some great wines at the event and discovered varietals from Calabria that I had never heard of before, quite a thrill. More to come on the tasting tomorrow.

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An Organic Wine From Italy & a Biodynamic Winemaker from France

March has started off in a very odd way here in the Big Apple. Cold and snowy is not my idea of the beginning of Spring but then again, everything is unpredictable. The Dow drops 300 points on a daily basis and the only way I find to distract myself from this and other frightening things is to think BIGGER than the last few weeks. One lovely accolade came my way this week from the American Squirrel Blogging Awards. A very funny consolation prize for not even being considered a potential to enter the contest for American Wine Blogging Awards.

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It used to be a big thing when your byline was listed second or you didn’t get one at all, now all I want is to be on someone’s blog roll…how things have changed. Consolation comes in many forms and in many grape varieties lucky for me. Yesterday, oddly enough I had a lovely grape variety that I never find in the United States. Rossese di Albenga from the Riviera di Ponente in Liguria and which reminds me of the beach and the Summer.

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It was very different than the Rossese I remembered drinking on my trips to Alassio, a lovely seaside town I used to be partial to in my previous incarnation. I found it much meater than I remembered despite its light color which would lead one to think of a different flavor profile. Bio Vio is an organic winery and they use no pesticides. I truly enjoyed this wine at Aroma, a great place to have a drink, meet a friend or dine.

In other news, on Friday of last week I was lucky enough to sit and chat with a fascinating bio-dynamic winemaker, Olivier Cousin.

Maslow 6 is a very interesting wine community started by three lovely ladies, two of whom I know from the International Wine Center, Mollie Battenhouse and Keri Jackson Kunzle. Maslow 6 organized a fabulous dinner with natural wine makers from Jenny & Francois’ portfolio. As a recent convert to organics (except for Joly who I have followed for years), everything is somewhat new and exciting to me. Cousin’s wines were exceptional and deserve their own post. More to come tomorrow.

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