Monthly Archives: September 2008

Women in Wine Fridays: Val di Cornia – The Etruscan Coast


When I first moved to Italy in 1991, I lived in Florence and like many local residents, went on holiday in Tuscany. I often went to a little town called San Vincenzo which is near the Golfo di Baratti. Little did I know at the time, that the area is actually called the Val di Cornia or the Cornia Valley. It has unbelievably beautiful beaches and a gorgeous stand of parasol pines in the Parco di Rimigliano. It also has world renowned wines, including Tua Rita. An industry expert said that he feels that Val di Cornia is Pomerol and Tua Rita is Petrus. I thought that was an interesting analogy. I have not had the pleasure of drinking many wines from Tua Rita but have been lucky enough to drink the wines made by their next door neighbor, Gualdo del Re . I will be pouring these wines at the Wine & Food Festival – Newport Mansions tomorrow and have been thinking about the wines and that gorgeous part of Tuscany.

Val di Cornia became a DOC in November of 1989. There are only six towns that may use this legislation for wine labeling and that includes Campiglia Marittima, Piombino, San Vincenzo, Suvereto, Sassetta and Monteverdi Marttimo. These towns are located in the provinces of Livorno and Pisa.
The area is called the Etruscan Coast because it is home to numerous medieval towns with Etruscan ruins. This area of Tuscany has a mild climate due to the tempering influence of ocean breezes.
Located just four miles from the Etruscan Coast facing the island of Elba, Gualdo Del Re’s Nico and Teresa Rossi have created a “piccolo paradiso”, a small paradise, in this lovely spot complete with delicious wines, a fine restaurant and a bed and breakfast set amidst pine woods and olive grows.
The Rossi’s have named their Vermentino after their daughter Valentina. Nico told me at Vinitaly that at local bars they just ask for a Valentina instead of a Vermentino. That must be a kick. Valentina works in the family business. She just had a son named Davide but will soon be back heavily involved in all aspects of the family winery.

Vermentino, a classic aromatic Italian varietal is grown throughout Tuscany, Liguria and Sardinia. It produces light, soft straw colored wines with floral aromas, herbal notes and a hint of peaches. The Rossi family currently makes 10 wines using the help of well known enologist Barbara Tamburini. I will write more about Barbara at a later date. The wines include Eliseo Bianco (a mix of Trebbiano Toscano, Malvasia and Clairette) and Eliseo Rosato, a rose’ made from Sangiovese and Merlot. These are easy drinking wines which go well with the summer’s bounty of fish and seafood served with light pastas. Other, more meditative red wines, marry well with heavier pastas and meats. Eliseo Rosso, for example, is a blend of 80% Sangiovese and 20% Canaiolo. It spends some 12 months in French barriques and an additional three months in the bottle. The Rossi family’s restaurant suggests pairing this wine with a delicious Cacciucco di Polpo. Cacciucco is a well known fish stew from the Livorno area. The Rossi’s aren’t simply pure traditionalists. They have taken full advantage of the DOC legislation to make wines using international varieties as well as the indigenous Tuscan varieties. The results have been wildly successful. L’Rennero, made from 100% Merlot, is a fabulous wine that Chef Gianmaria Margelli suggests pairing with a filet mignon in a complex sauce made using the same wine. This wine is aged for 36 months, 15 months in oak barriques and 21 months in the bottle. The Rossi have given one of their wines the perfect name which sums up the whole experience at Gualdo Del Re: SenzAnsia, which means enjoyment without anxiety or haste. Sounds good to me.

I decided to start including receipes on my blog. Here’s one from the Gualdo del Re restaurant. Cacciucco is traditionally from Livorno.

Cacciucco

1 lb. of assorted fish, such as monkfish, mullet, eel (cut in cubes) or halibut
1 lb. of assorted seafood, such as baby octopus, squid or cuttlefish (cut in rings), clams, mussels or lobster
4 tablespoons of good virgin olive oil
Half of a medium onion
Half a cup of minced parsley
2 garlic cloves, minced
A few sage leaves
1 lb. of peeled tomatoes,
1 hot red chili pepper
1 glass of red wine
Thick slices of whole grain bread, toasted and rubbed with olive oil (optional)

Clean and wash the fish.
Boil the fish heads in a few ladles of water in a saucepan, made of clay if possible.
Sauté the minced onions and parsley, sage, red chili, and garlic in oil and remove them once they turn brown.
Add the octopus and cuttlefish to the saucepan and cook them with the cover on. When they are almost cooked, pour in the wine and let it evaporate. Then add the pieces of tomato and the fish head broth passed through a strainer. Add salt and bring to a boil. After about ten minutes, add the fish. Cook them by moving the frying pay, without mixing too much, and add more salt to taste. Arrange the slices of bread in a soup tureen or in small clay pots. Distribute the fish on top with some of its juices. The tomato sauce should not be too watery or too thick. There should be enough so that little remains after you have soaked the bread.

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Adventures in Winemaking – A Look Back

I wrote a post sometime in the Spring about my adventures in winemaking, from buying grapes to pressing them and corking the bottles. I am now drinking a couple of bottles of my first vintage, a Sangiovese-Cabernet Sauvignon blend which I dubbed a Super-Teaneck. The Italian Wine Guy sweetly commented that the name is just as silly as some of the wines they have in his neck of the woods, Super Texans I think they were called…

In any event, I have been sipping a bit of this first vintage from I Due Gatti, the name of my little winery. They are terrible. I have higher hopes for my second vintage but I do have a lot of this first vintage in the basement. Hard to know what to do with it. I met a number of people at a conference this year in New Orleans who said they have never had good homemade wines. Perhaps it is the yeast that I used, a cultured yeast not an ambient one that has made all the difference. I was very interested in the article that Jancis Robinson wrote on her website a few days ago regarding yeast and their strong impact on wines, often making different varietals seem too homogenous. Dr. Vino mentioned it in his “Daily Dose” earlier this week. Thanks for pointing that out. I had missed the article. Whether it be the yeast or the overripe grapes from California, the storage of the grapes before I pressed them, insufficient or inaccurate racking, a too small oak barrel for aging, something just missed the mark. The whole experience has been enlightening but I confess the wine leaves much too be desired.

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Financial Crisis, Movie Making and Wine Blogging

I realized today that I haven’t written a word in my blog for at least a week. While I have been glued to gloomy news of the financial situation and what pundits think we should do about it, I have also been under siege as a result of a movie that is being made on my floor. Suffice it to say, I will not be watching Unorthodox by McGee Productions when it comes out. In the middle of these grim experiences, I did have the good fortune to go to two noteworthy portfolio tastings last week, that of Frederick Wildman and Winebow . Both have very impressive portfolios with an eye-popping amount of wines to try. I tried to be somewhat moderate and orderly in my tasting. At Wildman, I worked for MC Selections, an Austrian wine importer. Monika Caha is a fascinating woman with a rich and long history in the food and wine business. Her wines are outstanding. I was working with two of her product lines so I spent a significant amount of time pouring and tasting wines by Stadlmann and Johann Donabaum.

Two interesting Austrian grape varieties stood out, Zierfandler and Rotgipfler, both from the Thermenregion of Austria.


These indigenous grapes each produce white wines that are unique and perfect food wines.
Monika’s website is very complete so I invite you to check it out and read through the tasting notes for the wines. My favorite Stadlmann wines were the 2006 Mandel Hoeh, a single vineyard wine made from Zierfandler and the 2006 Rotgipfler Tagelstein as well as the 2004 Auslese made from Zierfandler.

The Johann Donabaum wines were big, important wines that the sommeliers seemed to really appreciate. The 2006 Loiben Reserve made from 100% Gruner Veltliner, the most famous indigenous grape from Austria, was rich, nutty and truly special with a note of residual sugar that was extremely pleasing and well integrated. Donabaum also had a number of fabulous rieslings as well. Monika is a wealth of information on Austrian wines. She has promised me an interview for my Women in Wine series on Fridays.

At Winebow, I spent a very long time with the wines from Cantine Arigolas, one of my favorite Sardinian wineries. More to come on those wines later this week. I also tried two interesting wines made from 100% Corvina, a first for me. La Poja IGT 2003 from Allegrini was quite complex and well rounded with aromas and flavors of cherry and blackberry, cedar, spice, tobacco and leather. It was what they call a Signore Vino otherwise known as a noteworthy wine. The second 100% Corvina was from Zenato and was named Cresasso IGT 2004 for the type of soil where the grapes grow. The grapes for this wine grow on a vineyard at 300 meters above sea level. The soil is filled with small stones (sassi), a natural home for the Corvina grape, according to the producer. The wine also had cherry and interesting cedar notes. This was a softer wine with a much lighter price tag as well. I finished the day with Acini Nobili, a dessert wine by Maculan, another favorite producer. This wine is made from dried Vespaiola, Tocai and Garganega grapes affected by botrytis cinerea or noble rot. The wine ferments in stainless steel and ages in French oak barriques from Nevers for two years. It is a perfect combination of honeyed, apricot and peach notes with a considerable amount of sweetness balanced out by bright acidity. I have been partial to this wine since 2000 when I took a class with Fausto Maculan at the Associazione Italiana Sommelier in Milan, Italy. Thank goodness for the tastings, a lovely part of city life.

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Master of Wine Champagne Tasting – Much to write home about

Today I felt like a real novice. Despite 11 years of serious wine study both here and abroad, I had never been to a function held by the Institute of Masters of Wine. Today was the Annual Champagne Tasting. Armed with my palate and my pen, I set off to attend the tasting. Its been a rough few weeks and I expect it will only get more complex with the number of tastings about town. I started with the non-vintage champagnes and was struck by a few including the Henri Goutorbe Cuvee Prestige Brut NV with its delicious raspberry notes. I was sure there had been a bit of skin contact or that the majority of the blend was pinot noir. While doing some research on the subject, I stumbled upon Wine & Spirits Correspondent Peter Liem’s Blog where he gives some interesting information and insight into this producer. I also enjoyed the Alfred Gratien Brut Classique NV which had tropical fruit notes and a touch of something floral and minerally. The Alfred Gratien Cuvee Paradis NV was also a find with nutty, almond and fruit notes. The Bruno Paillard Premiere Cuvee NV was fabulous with its biscuity and red fruit notes. Finally, the Vilmart Grand Cellier Brut NV was seductive and well rounded. Truly a find for me. Skurnik is the importer of a number of these champagnes.

I moved on to the Blancs de Blancs table but was slightly more distracted. I missed a number of great champagnes I am sure but I was able to taste the Andre Jacquart Mesnil Experience and the Brut Experience, both NV. The former is the more prestigious of the two and it was exceptional, butter and citrus notes abounded. I also tried the Besserat de Bellefon, Cuvee des Moines, blanc de blancs NV. Lemon, mineral and nutty flavors were the ones that struck me immediately. I was running out of stream when I happened into a conversation with noted Champagne Expert, Ed McCarthy. He gave me a few suggestions and I proceeded to follow his advice, obviously.

I tried two roses truly worthy of note. The Bollinger Brut Rose’ NV and the Perrier-Jouet Fleur de Champagne Rose 2002. I may just consider buying a bottle of either or both. I arrived at the tasting a bit late and therefore missed some of the gems, including the Krug 1996 and the Pol Roger Brut Cuvee Sir Winston Churchill 1998. I did however get to taste the Veuve Clicquot Rare Vintage 1988. It knocked my socks off and was truly something to write home about, much to my surprise. It was simply wonderful, nutty with butter, almond and white fruit notes. It was delicate and persistent at the same time. In fact, I poured myself a bit more, sat down and reflected on how Champagne, more than 80% of the wines I drink, always gives me a feeling of deep satisfaction and warmth in my soul. Many thanks to the Institute, it was a memorable experience.

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Women in Wine Fridays: Wine Enthusiast’s Panel on Women in October issue

I received my October 2008 issue of the Wine Enthusiast this week. It had a number of stories about my favorite topic: Women in Wine. An interview with wine maker Zelma Long was encouraging about how far women have advanced in the wine world while another piece called “Bottle of the Sexes” was less so. It confirmed what I see in my everyday world for the most part: many still think women only like sweet wines and give men the menu at the table. This happens to me all the time, especially in the more upscale restaurants.

I was pleased to see though that there are apparently many more female wine makers in California than I had previously thought. Many of the comments rang true about how women and men differ in their perceptions and explanations of wine. Additionally, women on the panel felt that marketing wine specifically to women was not a negative. I too see nothing wrong with marketing to specific groups and agree wholeheartedly with this concept. Particularly in light of the fact that the article largely confirmed what other female wine makers I know have said: most wine buying decisions are made by women.

All that said, you never see an article about male wine makers or about men in the business. That is just par for the course. I hope one day it will not be an issue whether or not you are male or female, merely if you make good wine.

I am optimistic. Since I moved back to New York, many of the people I have met in the wine business are women. They are salespeople, sommeliers, buyers and educators, wine makers and importers, journalists and marketers and publicists and above, informed and intelligent consumers.

The same cannot be said for the country that I know and love so well – Italy. While there are a number of female wine makers, many in fact, they are often behind the scenes. Women generally buy the wine but there are many fewer female importers, sommeliers and salespeople. I always hope that I will meet a female head of a wine consorzio but it seldom occurs. If anyone can make an introduction, I would be thrilled.

There is an association that is working hard to bring women to the forefront, Le Donne del Vino.

I have met a number of the women who belong to this association and they have all been very enthusiastic promoters of their wines, the association and women in wine in general. This year they celebrated their 20th anniversary in April with a dinner during Vinitaly. A number of women I know were in attendance and were excited about how things are moving along for women in Italian wine. I felt cheered by that prospect.

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A Visit to the Fireman’s Memorial on 100th Street – 9/11

FIREMEN’S MEMORIAL
Riverside Park

This is a photo of the Firemen’s Memorial which was built in 1913 in Riverside Park. It was designed by H. Van Buren Magonigle (1867-1935), and the sculptures were done by an Italian sculptor named Attilio Piccirilli (1866-1945).

On September 11, 2001 the Fire Department lost 343 firefighters.

There was a large ceremony at the monument today. There were many handsome fireman in their dress blues in attendance. My thoughts today are with them and all of the other families for whom today is not just a national tragedy but a personal one.

I will be drinking a Dancing Bear Cellars Pinot Noir today to celebrate life. The wine is called the Shea Cuvee 2006 and is named after Danny and Joe Shea, the brothers-in-law of my friend and client Eric Munson, both of whom worked in the Twin Towers and died that awful day.

Into The Fire
By Bruce Springsteen

The sky was falling and streaked with blood
I heard you calling me then you disappeared into the dust
Up the stairs, into the fire
Up the stairs, into the fire
I need your kiss, but love and duty called you someplace higher
Somewhere up the stairs into the fire

May your strength give us strength
May your faith give us faith
May your hope give us hope
May your love give us love

May your strength give us strength
May your faith give us faith
May your hope give us hope
May your love give us love

You gave your love to see in fields of red and autumn brown
You gave your love to me and lay your young body down
Up the stairs, into the fire
Up the stairs, into the fire
I need you near but love and duty called you someplace higher
Somewhere up the stairs into the fire

May your strength give us strength
May your faith give us faith
May your hope give us hope
May your love give us love

May your strength give us strength
May your faith give us faith
May your hope give us hope
May your love give us love

May your strength give us strength
May your faith give us faith
May your hope give us hope
May your love give us love

It was dark, too dark to see, you held me in the light you gave
You lay your hand on me
Then walked into the darkness of your smoky grave
Somewhere up the stairs into the fire
Somewhere up the stairs into the fire
I need your kiss, but love and duty called you someplace higher
Somewhere up the stairs into the fire

May your strength give us strength
May your faith give us faith
May your hope give us hope
May your love give us love

May your strength give us strength
May your faith give us faith
May your hope give us hope
May your love give us love

May your strength give us strength
May your faith give us faith
May your hope give us hope
May your love give us love

May your strength give us strength
May your faith give us faith
May your hope give us hope
May your love give us love

May your love give us love

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Neighborhoods, Wine bars and an odd cast of characters in Manhattan

Lately, I have been thinking that I need to get back to the central focus of this blog – women in wine and Italy. I was set to do that today when I felt an urge to write about my neighborhood. I had no idea when I started to blog that it would be hard to keep a focus because this medium lends one to free associate, a good and a bad thing.

I was hoping to try a good Italian wine at a local wine bar this week and bring myself back to my blog roots. On my way there though, I took a really good look at my neighborhood, a small microcosm of NYC. In a two block radius we have one 30+ year old pizzeria owned by two Italian brothers who after 50 years in this country still speak with heavy Sicilian accents, one Chinese restaurant of some note, a new Thai place and a long standing Turkish restaurant, two diners (one modern, one with the same 1950s writing and posters of James Dean that it has had since they were new), a generous Mexican restauranteur who feeds the hungry after his place closes, one large homeless man, numerous drug deals in broad daylight, groups of housing projects and a few convenience stores all in a two block strip.

It was kind of hard to take all of that in as day turned to night and the wine bar blues were setting in. I recently read a good post on the Brooklyn Guy’s blog about missing a neighborhood bar where you could slip in and have a nice, reasonably priced glass of wine. I haven’t found that elusive stop in my neighborhood either but a few wine bars are at least cropping up. One relatively new wine bar is Vinacciolo.

The bar is a sleek, Milanese style wine bar with minimalist decor and white marble tables. The food is pretty good but I thought the wine list was a bit odd. Perhaps my expectations were merely upended. I was sure that they would have only Italian wines but instead found a variety of countries represented including Germany, France and the usual suspects. I had a delicious Soave by Pieropan but the most interesting wine on the menu to me was the Tokaj Furmint, a wine I really like, from Royal Tokaji. Furmint is one of the two prinicpal grapes in the great sweet wine Tokaj Aszu together with the more well known Harslevelu grape. Furmint can be and is often vinified dry. I have seen it on a number of menus and I always order it. It is generally very minerally and fruity on the nose and palate with nice floral accents and good acidity. The Royal Tokji was delicious. I have also had a good Furmint from Patricius. In terms of the sweet Tokaj Aszu, it features in one of my all time wine moments. In 2004, I did a vertical tasting of Tokaji Aszu during Miwine in Milan with wines by Disznoko. I had a 1993, 1995, 1996, 1998, 1999, and 2000. The 1993 wine practically stood up and sang to me with its rich, sweet, apricot, honeyed flavors. It was absolutely one of my best wine moments to date. I felt better as I left Vinacciolo about the neighborhood and its odd cast of characters. I’m not sure if it was the Tokaj that worked a little magic on me. My hood is a far cry from the left bank and the lungarno but at least I can have a nice glass of wine that transports me to far off lands that I know well and those that I look forward to visiting.

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Wines from the Provinces Are Creating a Stir in Italy’s Lazio – Regional Mondays

I wrote this article for Altacucina’s website. It was published last week and I thought I would share it.

The region of Lazio is not the most well known of Italy’s 20 regions. In fact, many people have only heard of Lazio because of its capital city, Rome. This region which lies in the center of Italy, bordered by Tuscany, Umbria, Abruzzo, Molise and Campania actually has five main provinces. Most of the wines made in Lazio are made in the area near Rome, known as the Castelli Romani. However, much new and innovative activity is taking place in the lesser known provinces. One area that has been getting a lot of press lately is the area around the city of Frosinone. This is because – Cesanese del Piglio – a wine from this area just received the coveted DOCG rating or the honor of being a denominazione di origine controllata and garantita wine. Frosinone is an area between Rome and Naples. The area specifically where Cesanese is grown is known as the Ciociaria. Perhaps this word is not too unfamiliar as it is the name of a very famous movie from the 1960s for which Sophie Loren won an Oscar, La Ciociara (Two Women). There are many beautiful and historic cities to visit here including Anagni formerly a papal city, Alatri, Ferentino, Piglio, Serrone and Veroli. Cesanese del Piglio reigns supreme in terms of the red wines in this area. It is a full bodied wine with red fruit aromas, spicy notes and some deep earthy, animal skin flavors. In certain incarnations it reminds me of a lighter primitivo, a well known wine from the Apulia region. Passerina, a white grape is also grown in this part of Lazio. The winery Casale della Ioria located in Arcuto is very well known for both its Cesanese del Piglio and its Passerina del Frusinate IGT.
Another province in Lazio where there is ferment in the wine business is the area around the city of Viterbo. Viterbo is in the Northern part of Lazio, halfway between Rome and the Tuscan city of Grosseto. One of the most famous wines to come out of the Lazio region is the wine known as Est! Est !! Est !!! from Montefiascone. Falesco, a well known producer, makes this delicious white wine from Trebbiano, Roscetto and Malvasia grapes on the same hillside where it was discovered. Legend has it that Henry V of Germany was traveling to Rome with his army to receive the crown as the Holy Roman Emperor from Pope Pasquale II in 1111 together with a German Abbot by the name of Johannes Defuk who was supposed to be a great wine aficionado. The abbot would send ahead one of his people, a certain Martin, to try out the different wines. Martin would then mark the doorways of the inns where he had tasted good wines. In this way, Defuk would know where to stop. The code was to write the word est if it was a good place to stop. As the story goes, in Montefiascone, Martin was so impressed with the local wines that he wrote EST! EST!! EST!!! The legend goes on to say that the Defuk stopped for three days in Montefiascone on the way to the Papal palace. He returned on his way home to Germany. It is said that Defuk remained in Montefiascone for the rest of his life and eventually died from drinking too much wine. On his tombstone in the local Benedictine church of San Flaviano, Martin is said to have had written “herein lies my Master who died from drinking too much Est.”
Another interesting wine from this area is the Aleatico di Gradoli. This is a dessert wine made from the red aleatico grape. It hails from the region around the Lake of Bolsena. Occhipinti is a producer to watch for this dessert wine as is Falesco.
Sergio Mottura, a producer from this area must also be mentioned in any piece on the wines from Viterbo. He is famed for his interpretation of the Grechetto grape in his Grechetto Latour a Civitella for which he won the highest honor – a Tre Bicchieri award – earlier this year from the Gambero Rosso, an Italian wine guide which is considered by many to be the definitive guide to Italian wines. Mottura’s wine is one of only two wines in Lazio and 305 in all of Italy to receive this honor. His Orvieto Secco is also very well regarded and is made from 50% Procanico, 25% Verdello and 25% Grechetto grapes. Oriveto is one of the oldest Italian white wines but it is often misunderstood. Mottura cultivates and vinifies the grapes separately and then assembles them in January before bottling.
Latina is also a province in Lazio that is making a name for itself in terms of its wines. Perhaps one of the most well known wineries from this area is a young winery called Casale Del Giglio. Started in 1969 by Berardino Santarelli, the winery has been conducting research on which grapes are best suited to the area since 1984. Many international varieties are planted such as Chardonnay, Sauvignon Blanc, Merlot, Cabernet Sauvignon, Petit Verdot and Syrah. Another producer from Latina that has been getting his share of attention is Marco Carpineti. He is considered to be an organic wine maker and is biologically certified, a rarity in the Italian wine panorama. Carpineti makes wines using white grape varieties such as Bellone, Arciprete Bianco (a clonal variety of Bellone), Malvasia, Trebbiano and the two varieties of Greco, locally named Moro and Giallo. The red grapes are Nero Buono di Cori, Montepulciano, Cesanese and Sangiovese. Latina is also home to one of the great sweet wines of Lazio, the Moscato di Terracina. The Pandolfi brothers of Sant’Andrea make a variety of versions of the Moscato running from dry to sweet with difficult names such as Oppidum for the dry, Templum for the Amabile version and Capitolium for the Passito. All are worth trying.
Rieti is the last of the provinces of Lazio and is the least well known in terms of its wines. Rieti is often associated with products from the neighboring region of Abruzzo. One winery of note is Tenuta Santa Lucia. It has garnered some critical acclaim for its Colli della Sabina Collis Pollionis Rosso and its Collis Pollionis Bianco. The winery has 40 hectares under vine planted with Sangiovese, Montepulciano, Cabernet Sauvignon, Cabernet Franc, Alicante, Carignano, Falanghina and Malvasia.

This very interesting array of indigenous and international grape varieties in some way sums up the varied and expanding nature of the wine scene in Lazio. Some wineries are using the traditional grape varieties that have long been cultivated in Lazio while others are bringing back those that long ago fell out of favor. Others still are using international varieties and blending them with the native varieties to produce new blends. I have high hopes for the future of this region and expect to see the wines make a splash with American wine drinkers soon

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Women in Wine Fridays: Catherine Faller, Domaine Weinbach in Alsace

In late May, I attended a conference in New Orleans held by the Society of Wine Educators. While there, I attended a seminar entitled “Female Finesse: Outstanding Women Winemakers.” Two of the participants on the panel have already been mentioned in this blog, the third is Catherine Faller of Domaine Weinbach. The tagline for the winery is  Colette e ses filles (Colette and her daughters). Catherine’s mother began running the firm when Theo’, her father passed away in 1979. Domaine Weinbach is an historic winery, started in 1612 by Capuchin monks. It has been in the Faller family since 1898.

Catherine works with her mother Colette on the sales and operational side of the business while her sister Laurence, the wine maker. During the seminar, Catherine stressed that in her view, wines are made in the vineyard. “The only way to make great wine is to grow great grapes,” she said. Domaine Weinbach is keyed into the biodynamic movement and has been so since 1998. One third of their 27 hectares have been biodynamic for the last 10 years. “It’s a philosophy more than a religion that lets the terroir express itself,” Faller noted.  The Fallers use old oak vats and have 40 to 100 year old vines. The Faller family are among the few female winery owners in Alsace.

We tasted a couple of her wines that I very much enjoyed including her Pinot Gris Cuvee’ Sainte Catherine 2006. It had a lot of backbone and structure with great acidity. I got smoky, toasty aromas on the nose and dense, rich concentrated flavors on the palate. I also found some spicy notes, good minerality and a long finish. I was really looking forward to eating after tasting this wine and had wished that I could take my glass to lunch in NOLA but alas alack…no dice.

The Faller family has 8 hectares in the famed 80 hectare Gran Cru Schlossberg vineyard. Schlossberg was the first vineyard in Alsace to be given a Gran Cru designation. The vineyard has granite soil (read good drainage) and a southern exposure as well as cooling breezes during the twilight hours. Riesling is king of the hill here and Domaine Weinbach makes a number of fabulous versions.

We tasted the Riesling Grand Cru Schlossberg Cuvee Sainte Catherine 2005. This wine was made from 40 to 60 year old vines. The wine was subtle with stone fruits, good minerality and good acidity.  The last wine which we tasted was a Riesling Gran Cru Schlossberg Cuvee Sainte Catherine l”Inedit 2004. This wine was produced for the first time in 1998. It had rich, sultry exotic fruit notes I found this wine to be luxurious. A I skipped the meal at the point and drank my lunch down to the last sip, savoring every drop. It had that  wet wool character that I associate with  vouvray and chenin blanc  but it had much more acidity than I usually find in a vouvray.  At the end of my toasting note, I wrote that it was rich and elegant with good acidity and extract. In a word, perfect.

I was reminded of my chat with Catherine Faller by a post on the Brooklyn Guy’s Blog this week where he mentions her Sylvaner Clos des Capuchins Réserve 2005. Check out his tasting notes and pairing suggestions.

The wines are imported by Vineyard Brands, Inc.

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Gianni Voerzio: A Piedmont Producer to the Core

Gianni Voerzio—much like his wines—is elegant, distinctive, and refined. He inherited the business from his father. Today, Gianni and his wife Franca produce about 70,000 bottles annually on their 14 hectares of wines.

Gianni’s signature floral wine labels feature the fruits and flowers from his native Piedmont region. Hints of dried roses and violets distinguish his Nebbiolo-based wines, such as Barolo for which Piedmont is famous. A late ripening, powerfully tannic grape, Nebbiolo produces austere wines that can evolve for up to 20 years into well integrated, luscious and complex wines with layers of nuance. Barolo is often celebrated as “the king of wines and the wine of kings.”

A traditional winemaker, Gianni also uses more modern techniques, including aging his wines in small French barriques. Located in La Morra in the southwestern tip of Piedmont, the area has been cultivated since 1000 A.D. Controlled alternatively by France and then by Spain for many years, La Morra came under the permanent auspices of the Duchy of Savoy in 1631. The “terroir” in the area is considered one of the most prestigious in the Barolo DOCG (Denominazione d’Origine Controllata e Garantita) zone. Wines from La Morra are softer and more elegant than those from other areas of the Barolo DOCG zone because the soils are more fertile and therefore produce riper and fuller grapes. Gianni also produces a series of exquisite wines using the other grape varieties for which Piedmont is famous, including Barbera, Dolcetto, Freisa, Arneis and Moscato. I tried his moscato at the last Vinitaly. It was far and away the best Moscato I have ever had. I know some people, like my esteemed colleague Terry Hughes from Mondosapore wouldn’t include Moscato in Italy’s ten best grapes but I think this Moscato might make him change his mind.

Gianni’s Arneis was on the wine list in every restaurant that I went to during a recent trip to Milan. These wines have overwhelmingly pleasurable aromas of peach and lemon together with crisp acidity and a long length. Gianni’s Dolcetto D’Alba, with its cherry, almond and cacao notes, has a long pleasant finish and good tannins. Typical of Italian wine, all of the Voerzio wines are incredibly food friendly and invite a return visit.

I have been lucky enough to taste many of Gianni’s wines because I often work with his US importer, Dancing Bear Cellars.

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